Stalke Galleri

Sebastian Quedenbaum and Fabian Weinecke

2011-11-12T04:43:00.000-08:00

Sebastian Quedenbaum and Fabian Weinecke

The Exchange and the Death
Stalke Out of Space and Flink has the great pleasure of announcing the exhibition The Exchange and the Death
November 18th. from 5 to 8, Nørre Alle 1, 2200 Copenhagen , Denmark

The idea for this exhibition was inspired by the great discomfort surrounding the most predominant ideology within the financial world, more specifically referred to as liberalism and marketing fundamentalism: with “the invisible hand,” as Adam Smith metaphorically describes it, the market regulates itself, resulting in a win-win situation. The fragility of this ideology is demonstrated quite obviously by the rising number of financial crisis within the last several years.

The artists can ask the question of whether or not the art’s instruments can play a critical role in an economical situation which is so complex, that trite, leftist propaganda art would otherwise be meaningless.

Central to Sebastian Quedenbaum’s works is the representation of the consequences of an economic system as experienced by the individual. As Richard Sennett describes it in his book “The Flexible Person,” solutions are ascertained by hierarchies, along with a rising sense of insecurity within the work and living environments, and the resulting shift of responsibility to the individual in which the person feels coerced to constant personal evolution inspired and fueled by existential anxiety.

Sebastian Quedenbaum’s artistic investigation is not limited to one decided style or medium. He uses instead varied approaches and medias: reliefs and glaze paintings inspire, among other things, associations to socialistic realism, Nazi art’s Kitsch and propaganda art. The more critical opinions are not always evident, but are instead often camouflaged as a tribute to capitalism. Hence, there occurs an irritating, poetic space, in which the viewer him or herself can decide upon a position.

Collapse is the downside of the dogma of eternal growth. Within the individual there arise symptoms of burnout and depression, whereas global symptoms manifest in the form of bankruptcy within firms, banks, and whole states. Thus, finite is the enemy of capitalism: the termination of the workday, the termination of all of earth’s resources, or the termination of human life as we know it.

Death is also the theme in Fabian Weinecke's works, but not in a programmatic sense. His images, which are often characterized as intimate miniatures, are entirely developed from the color as a medium. His image compositions are more intuitively founded, rather than calculated. Although his images in many cases cite the paintings’ historic heritage (i.e. Carl Spitzweg, symbolism, or Francis Bacon), he maintains his own unique imagery. This can be seen first and foremost in the suggestive power of the characters which inhabit his landscape: archaic feminine figures and skeletons which seem to awaken the painting, bring it to life, and make the images his own. Fabian’s works combine humorous impulses with a great respect for the painting tradition.

We look forward to welcome you to the opening on Friday November 18th. From 5 to 8 pm

Press photo

The exhibitions ends January 6th 2012
Open by appointment:

Contact:
Flink.
Nørre Alle 1
2200 Copenhagen N, Denmark
e-mail: mette@flink-art.dk
+45 40319223

And

Stalke Galleri/ Stalke Out Of Space
Englerupvej 62
4060 Kirke Saaby, Denmark
Phone: +45 29267433
www.stalke.dk
e-mail stalke@stalke.dk

NO MORE SPACE

2011-10-06T09:29:00.000-07:00

Albert Mertz and Lone Mertz

2011-09-22T05:36:00.000-07:00

ALBERT MERTZ AND LONE MERTZ
STALKE GALLERI KIRKE SONNERUP

October 1th. to November 3th.

Stalke Galleri, Kirke Sonnerup has invited Lone Mertz to curate a show which takes as its starting point the cooperation she had with Albert Mertz from 1974 until his death in 1990.
The show will include both known and unknown works, old and quite new, together forming a coherent installation.

Throughout his life Albert Mertz used many different artistic expressions, methods and media, but – as he often said - ”the difference is the same”! It was not about a certain style or form, but about the most precise way of showing content and meaning, which again and again was exposed to new investigations and new questions.

Albert Mertz was for many years occupied with the philosophy of the east, which also links up with his investigations around the colours red and blue, which interesting enough are also part of the Tibetan conceptual world.
It was this track Lone Mertz was to follow. The glass coffin she made on Glænø Beach in Denmark in 1993 was later installed, in a different form, in the Himalayas at 4.400 meters above sea level. It still exists in the mountains as the glass in four windows in a tibetan temple, a fact which throws a symbolic light in the direction of Albert Mertz´first presentation of red and blue.
This presentation, in 1972 at Den Frie in Copenhagen, was accompanied by the work ”Painted Windows”, 7 photos printed on canvas and mounted on stretchers as paintings. The photos, taken by Albert Mertz' daughter, the photographer Susanne Mertz, showed some painted, false, illusory windows which one could not see through, and told about an art which no longer had the necessary transparency or relation to use for ordinary life, an art which blindly closed in on itself and its own conventions.
Art in the showroom or the gallery is a closed affair, often with a single-minded aim; but the red-blue proposition might still show us a way out of this sanctuary towards the life's diversity, where creative ability is the most important blueprint for human beings.

Lone Mertz has throughout the years been involved in many shows with Albert Mertz. The latest in 2010 in Kunsthalle Lingen in Germany, where he was represented by some important works and two big reconstructions of painted walls. On the 6th. October 2011 Daimler Contemporary in Berlin opens ”Conceptual Tendencies 1960s to today” with, amongst others, 25 works of Albert Mertz, who with this exhibition has found a place in the history of art outside of Denmark.
This comes about now, just as the long awaited book with his comprehensive notes ”Mertz om Mertz” is about to be published by the Danish publishing house,Vandkunsten.

We look forward to welcoming you at the opening Saturday 1th. October from 13-17.

Stalke Galleri

Englerupvej 62

4060 Kirke Saaby

Denmark

e.mail: Stalke@stalke.dk

www.stalke.dk

ON VIEW #1

2011-09-03T18:36:00.000-07:00

First opening Copenhagen

Project by STALKE OUT OF SPACE

Stalke Out of Space has the great pleasure of announcing the first exhibition ”On view #1" in corporation with FLINK. New project space in Copenhagen

The new space function as show- and project space for Stalke Out Of Space, and a new supplement to the other activities of Stalke Gallery.
Stalke Out Of Space aims at 3-4 yearly exhibitions and now great to add to the main program of the gallery.

On the first opening Stalke Out Of Space will show a selection of artist:

Thorgej Steen Hansen
Jeannette Ehlers
William Anthony
William Anastasi
Dove Bradshaw
Nikolaj Recke
Bella Angora
Søren Dahlgaard

….

me perceive place

Performance video by Bella Angora

The performance project „me perceive place“ by Bella Angora was developed for the Vienna Fair 2011 and focused on psychological and physical options and attempts in order to place yourself within the fields of different social systems. Bella Angora was taking place on the lap of the approximately 200 art fair visitors within the frame of one-to-one-performances in order to start an exchange regarding this complex of themes by using different levels of perception.

Always one person could enter the performance box that was placed in a booth of the art fair to perceive a 1:1 experience with the artist on several perception levels. The visual perception channel was fed by a music video. The soundtrack to the video had served the additive perception that one could hear over a headphone. At the same time Bella Angora was sitting on the lap of the viewer, singing the vocals live and directly into the second ear of each person. By doing so she was triggering the physical perception channel. The space in the box was tiny, the closeness huge.....

The visitors of the art fair had the opportunity to step out of the art market situation for a brief moment into a quite enraptured and unreal ambient. The here presented video shows a selection of the performances.

The Vienna based artist Bella Angora is collaborating with Gallery Stalke since many years and performed/exhibited at different places in Copenhagen like Overgaden, Gallery Dunk!, Copenhagen Alternative Art fair, Art Copenhagen or Gallery North.

In relation to „me perceive place“ Bella Angora will present the performance „Darkroom“ on the 15th of September 2011 at Kunsthallen Nikolaj. This project is working with similar mechanisms like „me perceive place“ but furthermore is treating another sub theme. With „Darkroom“ the artist wants to break expectations that we are having due to certain conditionings as well as sharpen our senses by building a special room installation.

The term „Darkroom“ relates to more or less escalating sexual practices – in this special „Darkroom“ the kind of touch is different: sitting on a lap (like a child) and the touch of the breath that is reaching the ear when Angora is singing....Both two very „innocent“ actions that also implicate a kind of sexual attraction as well. These totally soft, sensitive and reduced actions want to communicate the need to perceive informations on a more subtile and differentiated level that is standing in opposite to our mostly very loud and aggressive surrounding that often comes with an overdose of sensual penetration.

The room installation will allow the audience to watch this very intimate situation from outside by viewing through optical lenses that are embedded in the walls of the room. This will give the whole situation a strong voyeuristic touch and by entering the „Darkroom“ the viewer is changing roles from „observer“ to „observed object“ within two steps.....

We look forward to welcoming you to the opening on Friday September 9th. From 5 to 8 pm

Place:

Flink. /Stalke Out Of Space
Nørre Alle 1
2200 Copenhagen N
Denmark


Mette Flink & Sam Jedig


The exhibitions ends on November 11^th 2011

Open by oppointment:
Contact:

Flink.
Nørre Alle 1
2200 Copenhagen N
Denmark
Att: Mette Flink
e-mail: mette@flink-art.dk
+45 40319223

And

Stalke Galleri/ Stalke Out Of Space
Englerupvej 62
4060 Kirke Saaby
Denmark
Phone: +45 29267433
www.stalke.dk
e-mail stalke@stalke.dk

On View #1

2011-08-27T04:18:00.000-07:00

ON VIEW #1
First opening / Copenhagen

Project by STALKE OUT OF SPACE

Stalke Out of Space has the great pleasure of announcing the first exhibition ”On view #1" in corporation with FLINK. new project space in Copenhagen

The new space function as show- and project space for Stalke Out Of Space, and a new supplement to the other activities of Stalke Gallery.
Stalke Out Of Space aims at 3-4 yearly exhibitions and now great to add to the main program of the gallery.

On the first opening Stalke Out Of Space will show a selection of artist:

Thorgej Steen Hansen
Jeannette Ehlers
William Anthony
William Anastasi
Dove Bradshaw
Nikolaj Recke
Bella Angora
Søren Dahlgaard

me perceive place

Performance video by Bella Angora

The performance project „me perceive place“ by Bella Angora was developed for the Vienna Fair 2011 and focused on psychological and physical options and attempts in order to place yourself within the fields of different social systems. Bella Angora was taking place on the lap of the approximately 200 art fair visitors within the frame of one-to-one-performances in order to start an exchange regarding this complex of themes by using different levels of perception.

Always one person could enter the performance box that was placed in a booth of the art fair to perceive a 1:1 experience with the artist on several perception levels. The visual perception channel was fed by a music video. The soundtrack to the video had served the additive perception that one could hear over a headphone. At the same time Bella Angora was sitting on the lap of the viewer, singing the vocals live and directly into the second ear of each person. By doing so she was triggering the physical perception channel. The space in the box was tiny, the closeness huge.....

The visitors of the art fair had the opportunity to step out of the art market situation for a brief moment into a quite enraptured and unreal ambient. The here presented video shows a selection of the performances.

The Vienna based artist Bella Angora is collaborating with Gallery Stalke since many years and performed/exhibited at different places in Copenhagen like Overgaden, Gallery Dunk!, Copenhagen Alternative Art fair, Art Copenhagen or Gallery North.

In relation to „me perceive place“ Bella Angora will present the performance „Darkroom“ on the 15th of September 2011 at Kunsthallen Nikolaj. This project is working with similar mechanisms like „me perceive place“ but furthermore is treating another sub theme. With „Darkroom“ the artist wants to break expectations that we are having due to certain conditionings as well as sharpen our senses by building a special room installation.

The term „Darkroom“ relates to more or less escalating sexual practices – in this special „Darkroom“ the kind of touch is different: sitting on a lap (like a child) and the touch of the breath that is reaching the ear when Angora is singing....Both two very „innocent“ actions that also implicate a kind of sexual attraction as well. These totally soft, sensitive and reduced actions want to communicate the need to perceive informations on a more subtile and differentiated level that is standing in opposite to our mostly very loud and aggressive surrounding that often comes with an overdose of sensual penetration.

The room installation will allow the audience to watch this very intimate situation from outside by viewing through optical lenses that are embedded in the walls of the room. This will give the whole situation a strong voyeuristic touch and by entering the „Darkroom“ the viewer is changing roles from „observer“ to „observed object“ within two steps.....

We look forward to welcoming you to the opening on Friday September 9th. From 5 to 8 pm

Place:

Flink. /Stalke Out Of Space
Nørre Alle 1
2200 Copenhagen N
Denmark


Mette Flink & Sam Jedig


The exhibitions ends on November 11th 2011

Open by oppointment:
Contact:

Flink.
Nørre Alle 1
2200 Copenhagen N
Denmark
Att: Mette Flink
e-mail: mette@flink-art.dk
+45 40319223

And

Stalke Galleri/ Stalke Out Of Space
Englerupvej 62
4060 Kirke Saaby
Denmark
Phone: +45 29267433
www.stalke.dk
e-mail stalke@stalke.dk

NIkolaj Recke, Photos 09-11,

2011-03-24T18:11:00.000-07:00

New Exhibition

Photos 09-11
Nikolaj Recke
In the project room:
Artstamp.dk

And

Backspace
Søren Dahlgaard, Kristleifur Björnsson, Albert Mertz, Olafur Eliasson, Dove Bradshaw, William Anastasi, Thorbjørn Lausten, Flemming Brusgaard, Jes Brinch, Thomas Bang, Anne Bennike and William Anthony.
Opening Saturday, March 26th from 1 pm to 5 pm

Stalke Gallery is pleased to announce the exhibition 09-11 is a survey into Nikolaj Recke’s photo works for the past two years, often is Nikolaj Recke's photographic work a further elaboration of ideas which have first been tested in videos and installations. The motifs in Nikolaj Recke’s photos are recognizable spaces, such as landscapes and night skies, but with a twist of aesthetic involving self-irony, political consciousness and a romantic feeling for beauty.
Nikolaj Recke’s works are an extension of 1990s rediscovery of Conceptual art. Unlike our usual perception of conceptual art, Nikolaj Recke´s conceptual art is not just a question of what art is, rather, it is a question of whether or not art can be used, but to investigate whether art can be used to ask questions to the world with all the uncertainties and perspectives that it involves. 
The exhibition presenting a view both his current work as well as his previous achievement. And there is a suggestion of what his future endeavors will be.

In the back space presenting selected works from: Søren Dahlgaard, Kristleifur Björnsson, Albert Mertz, Olafur Eliasson, Dove Bradshaw, William Anastasi, Thorbjørn Lausten, Flemming Brusgaard, Jes Brinch, Thomas Bang, Anne Bennike, William Anthony

and Artstamp.dk in the project Space:

Jeannette Ehlers, Iv Toshain, Berit Heggenhougen-Jensen, Sebastian Quedenbaum, Albert Mertz, Dove Bradshaw, Thorbjørn Lausten, Sam Jedig, William Anthony, Jes Brinch, Bella Angora, Nikolaj Recke, Barbara Anna Husar, Lone Mertz, and Anne Bennike, The exhibitions starts from March 26 to May 3th, 2011

Stalke Galleri
Englerupvej 62
4060 Kirke Såby
Denmark
+45 2926 7433
www.stalke.dk
stalke@stalke.dk